Hunotjari

For the past twenty years, the Omba Trust has worked closely with the Ju/Hoansi community in Namibia to foster a sustainable development model to integrate the rare skills of the Ju/Hoansi into the mainstream economy. The Ju/Hoansi is a San tribal community in rural Namibia, confined in large part to but a small section of their previous hunter-food-gathering landscape. With the guidance and support of Omba Arts Trust, community members fashion beautifully intricate jewellery from ostrich egg shells and create very rare pieces of art, often used as inspiration for a unique range of fabric prints also available from the Trust. In addition, Omba has for the longest time engaged skilled and talented basket weavers from various parts of Namibia to produce a range of decorative and highly sought-after baskets; a standard feature in most Namibian homes representing an abstraction of symbols relating to wealth and fertility, in particular.

Sara Basson, from Leonardville, produces useful, decorative pieces which are a variety of bead-edged doilies, dolls, placemats and mobiles. Sara was taught by her mother, which served to guide her entire life and its course to date were shaped by her skills at crafting. After moving to Windhoek, she initially sold her handicraft on the streets of the city before applying successfully for a stall at the Namibia Craft Centre. The curios and crafts at her stall reflect Sara Basson’s distinctly rural Namibian aesthetics, almost untouched by her urban surroundings, an innate sense of proportion (small dolls) and an endearing quest for quality as shown by the pristine finishing on her handmade doilies and knitted items. Sara vows to continue producing handmade craft until the day she dies because she enjoys working with her hands. Each item at Saras Sara’n, the name of her stall, is handmade and entirely unique; the singular manifestation of one brave, rural Namibian woman’s inspiration.

Namibia Italy Gems was founded by Sergio Chiesa, specializing in design and cutting of exotic pieces of handmade jewellery. Initially the company started with Makalani palm nuts sculpted into the iconic ladybirds, later moving on to cutting and polishing Namibian gem stones. Sergio mainly employs young and needy men and women, vulnerable unemployed youth and teach them to create intricate designs with Makalani jewellery and gem stones.

Grit Bottcher, a master goldsmith, started Ekipa Gold Design a little more than thirteen years ago. The designs found at her stall are very intriguing styles, combinations and compositions of handmade jewellery pieces, indicative of a particular aesthetic which has proved tremendously popular and enduringly stylish. Grit is a perfectionist and this quality manifests itself in the perfect geometry and smoothness of many of the jewellery pieces. Her particular aesthetic also lends itself to extremes and opposites: a sensuality incorporating the tactile and soft in material, combined with the cold hardness of silver, bronze, aluminium and gold. Her love for all things naturally Namibian lies at the core of every piece of jewellery, for example an enticing selection of fur-rings, springbok and Nguni hide fur-pendants, ostrich-shell pendants, seeds and recycled glass beads all set in either silver, aluminium or gold make for eye-catching, interesting jewellery with a fine.